![]() Avalanche will try to replicate the organization features present in the source catalog. Full migration of all collections, albums, sets and projects.Specific options to migrate the geo-location of images (if they have been edited in the source catalog).Full migration of all annotations (all IPTC fields), keywords, tags and face detections.Full support for managed and referenced photos, with many ways to configure the folder hierarchy and copy options.Full support for migrating masters and versions, both for pictures and videos.Source and destination apps can be launched from within Avalanche. Ability to keep track of converted catalogs, their locations and their source.Ability to analyze the content of the catalogs prior to conversion (masters, versions…).Intuitive user interface to access all the catalogs present on connected volumes.“It is the best version of Avalanche to date, giving its users a much-wanted freedom of choice. “It delivers even more on the promise to move all our images with metadata, organization structure and adjustments between a growing list of editing applications,” says Thomas Ribreau, co-founder of CYME. We also added some Capture One-specific options to make our migration even more versatile and powerful, and go beyond what was achievable until now.”Īvalanche Unlimited has been updated too, with full support for Capture One. ![]() Due to the technical excellence of Capture One, we had to raise the bar of our automatic learning algorithms, and I am very happy with the quality of preservation of adjustments between apps. Avalanche for Capture One has multiple dedicated Machine Learning models trained on thousands of images to achieve such results. “We are delighted to add Capture One as a supported destination for your catalogs and bring the kind of fidelity that photographers expect when migrating catalogs. I will maintain the Apple Aperture Library's on my LaCie back up drives and an old iMac until I'm certain I can cut the umbilical cord.“Avalanche for Capture One is the missing solution that was anxiously awaited by Capture One users,” says Matthieu Kopp, CYME co-founder and CTO. I want to preserve file information, eliminate a whole lot of rework, and not do this wrong. How best to move this body of work to LrC? Are my test file transfer conclusions correct? Is the imbedded preview in LrC from Aperture? My file structure in Aperture is by Year as an example: 2013_01_21_Lake Louise_Ice Carvings. I conclude LrC handles it this way because Aperture treats my image final adjustments with imposed jpeg file view of the RAW file itself versus LrC's layer method. Post this import, in LrC's Library Module, I see the original NEF file (showing imbedded preview label) and a Jpeg of same image beside it. I have imported a few test files over to LrC via the Plug-in Extras tab. I've got 40K pictures, both in RAW and earlier years in Jpeg, in four separate Aperture Library's. ![]() However, if I want LrC's latest updates I must be in macOS Big Sur. Just getting started in LrC and I like its image adaptive behaviour, layers, and control panel. I'm currently using LrC in macOS High Sierra for all my new photos. But I'm now backed into a corner as I posted in the 'Editing' thread because Aperture is not compatible with macOS Big Sur. Apple Aperture is like an old sweater and hard to give up. ![]()
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